Duke Tumatoe

Duke Tumatoe Biography, Age, Songs, Musical styles, Band

Duke Tumatoe, born William “Bill” Severen Fiorio in 1947, is an American blues guitarist, vocalist, and songwriter. He has gigged with Muddy Waters, Bo Diddley, B.B. King, Willie Dixon, Buddy Guy, John Fogerty, and George Thorogood. He was a founding member of arena-rock giants REO Speedwagon. He has released fifteen albums as the bandleader of Duke Tumatoe & The All-Star Frogs and Duke Tumatoe & The Power Trio. His 1988 live album I Like My Job was produced by John Fogerty. He typically plays more than 200 dates per year.

Duke Tumatoe Biography

Duke Tumatoe, born William “Bill” Severen Fiorio in 1947, is an American blues guitarist, vocalist, and songwriter. He has gigged with Muddy Waters, Bo Diddley, B.B. King, Willie Dixon, Buddy Guy, John Fogerty, and George Thorogood. He was a founding member of arena-rock giants REO Speedwagon.

Duke Tumatoe

He has released fifteen albums as the bandleader of Duke Tumatoe & The All-Star Frogs and Duke Tumatoe & The Power Trio. His 1988 live album I Like My Job was produced by John Fogerty. He typically plays more than 200 dates per year.

His father was a first-generation Italian whose family hailed from San Bonifacio, Italy, a northern Italian town outside Verona. He grew up in Beverly, a neighborhood on the Southwest side of Chicago. The South Side of Chicago was also the birthplace of urban, electric blues, which was a huge influence on Tumatoe. As a teen, he often visited the legendary market at Maxwell Street to hear live blues. He learned to play drums at age 14 and guitar a year after that.

Duke Tumatoe Age

He was born in 1947.

Duke Tumatoe Songs

  • Duke Tumatoe & All Star Frogs – Red Pepper Hot! 1976
  • Duke Tumatoe & All-Star Frogs* – Naughty Child 1980
  • Tumatoe And The Power Trio – I Like My Job 1989
  • Duke And The Power Trio – Dr. Duke 1992
  • Tumatoe And The Power Trio – Dr. Duke ‎(CD) 1995
  • An Ejukatid Man ‎(CD, Album) 1999
  • It’s Christmas (Let’s Have Sex) ‎(CD, Album) 2001
  • Duke Tumatoe & The Power Trio – You’ve Got The Problem! ‎2006

Duke Tumatoe Musical Style

Tumatoe is a self-taught guitarist who learned to play by watching Chicago’s blues legends. His guitar playing has been described as “B.B. King played through Jimi Hendrix. Tumatoe’s songs are noted for their humor, something he explains as “There are two elements of the blues. There’s the general intensity of the music…and an element of humor, some twist in the lyrics. It’s like a comedian turning something sad into something funny.”

Duke Tumatoe Band

REO Speedwagon
He was a founding member of arena-rock giants REO Speedwagon. He has released fifteen albums as the bandleader of Duke Tumatoe & The All-Star Frogs and Duke Tumatoe & The Power Trio. His 1988 live album I Like My Job was produced by John Fogerty.

The All-Star Frogs
In 1969, Tumatoe founded Duke Tumatoe & The All-Star Frogs. The band featured guitar, bass, drums, and keyboards. They toured for thirteen years and released three albums. The All-Star Frogs featured keyboardist James Mitchell Hill, whose playing has been compared to Booker T. Jones. Hill continues to play with Tumatoe through the present day.

Lothar & The Hand people
In 1965, Tumatoe enrolled in college at the University of Illinois at Champaign-Urbana and founded a short-lived band called Lothar & The Hand people. This band was named by CBS News Correspondent and Emmy Award winner Bill Geist, a classmate of Tumatoe’s.

The Power Trio
In 1983, Tumatoe disbanded The All-Star Frogs. He had moved to Indianapolis and was looking to form a group closer to his new home. The new group consisted of guitar, bass, drums, and keys, though certain lineup changes featured two guitarists and no keys. The Power Trio performed an average of 200 dates per year. They have released twelve albums to date.

Duke Tumatoe Lord Help Our Colts

Tumatoe befriended Tom Griswold of “The Bob & Tom Show,” a nationally syndicated radio program that fuses comedy and music. In 1985, Tumatoe was looking for a way to promote a local blues club called Uncle Slugs, and Griswold suggested he write a song about the city’s new NFL team, the Indianapolis Colts, which had formerly been the Baltimore Colts.

The result was the tongue-in-cheek “Lord Help Our Colts,” a catchy twelve-bar blues jingle with a static chorus and verses that could easily be updated to recap each game. “I, of course, wrote the song in a form that I thought if necessary, I could easily update, which turned out to be a really good thing, a smart move,” says Tumatoe. To date, he has sung more than 800 versions over the past thirty years.

Tumatoe performed the songs weekly on air, and though they were a hit with fans, some of the players and coaches took umbrage to his lyrics, especially when Tumatoe couldn’t resist taking a dig. On a few different occasions, Tumatoe barely avoided physical altercations initiated by drunken quarterbacks or angry coaches. Says Tumatoe, “I think people miss a basic thing about the blues, and I don’t understand why they don’t get it. Blues is light-hearted music. They’re stories that make fun of what goes on in your life.

Don’t get me wrong, I’m a football fan. I enjoy these games. I watch them all. But the premise of all these guys getting millions and millions of dollars to play a kids’ game is in and of itself not serious. It’s a cause to celebrate when they’re winning, but it really doesn’t affect your life other than it’s nice when your team is doing well. And these guys are getting millions of dollars, and these guys are bitching about it when you criticize their performance? I didn’t really criticize their performance. I just made it rhyme.”

Duke Tumatoe I Like My Job

In 1987, John Fogerty of Creedence Clearwater Revival undertook his own ethnomusicologist mission by traveling through the South and Midwest to discover regional acts that couldn’t be heard on the radio. While passing through Mishawaka, Indiana, Fogerty heard a radio advertisement for Duke Tumatoe, whose name caught his attention. He attended the show that evening and was so impressed that he returned to the club on four consecutive evenings to see more.

“The first time I heard Duke it gave me chills,” said Fogerty. “I hadn’t experienced energy like that in a long time. It was like walking in on Jimmy Swaggart in his heyday. Everybody in the audience was shouting and screaming and having a good time. I mean the crowd was just eating out of this guy’s hand. Immediately the light went on in my head–somebody ought to record these guys.”

For the first time, Fogerty decided to try his hand as a record producer. He played a cassette of a live recording of Duke to Warner Bros. Records President Lenny Waronker and got the go-ahead to begin recording what would become the 1988 live album, I Like My Job. Determined to capture the live energy of the band, Fogerty assembled over 24 hours of live recordings before beginning the mixing process. Fogerty and engineer Alan Johnson spent three focused months mixing the record.

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